1988 Korean Contemporary Painting
1988 Korean Contemporary Painting, Leaflet, 1988, MMCA Art Research Center Collection

1988 Korean Contemporary Painting

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The 1988 Korean Contemporary Painting was held at the Hoam Gallery from September 15 to October 14 in 1988 under the theme of “New Vision: Ink and Color Painting.” It was held in conjunction with the Seoul Olympic Games to highlight the modernity of “hangukhwa (Korean painting)” and with the intention to present it to the world. Fifty artists of Korean painting were selected by ten members of the advisory board, including Song Youngbang, Lee Jongsang, Song Soonam, Oh Taehagk, Chung Takyoung, Lee Kyungsoo, Shim Kyungja, Oh Kwang-su, and You Hongjune. The exhibition consisted of only Korean paintings, but the term “hangukhwa (Korean painting)” was used to signify that it transcended the genre distinction between Eastern and Western painting. In conjunction with the exhibition, a workshop entitled “In Search of a Dynamic New Horizon for Korean Painting” was held on June 30 at the Academy House. The workshop emphasized the overcoming of the heterogeneous classification of Eastern and Western painting, the search for modernity in Korean painting, the reinterpretation of traditional concepts, and experimentations with Korean painting as an indigenous culture. In the workshop, several presentations were made. Oh Kwang-su presented on “In Search of the Possibilities of the Globality of Korean Painting,” Moon Bongsun, “The Experiential Statement of Korean Painting of Our Generation,” Lee Jongsang, “New Korean Painting as Indigenous Contemporary Painting,” and Song Soonam, “The Direction of Modernization of Korean Painting.” The 1989 edition of the Korean Contemporary Painting featured works by forty-nine artists without the genre distinction between “hangukhwa (Korean painting)” and Western painting. This theme continued until the fifth and final edition in 1992.
* Source: MMCA

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