Moon Shin
Moon Shin, An ant, 1960s, 130×30×50cm. MMCA collection

Moon Shin

  • naver
  • kakao
  • facebook
  • twitter
Moon Shin (1923-1995) was born from a Korean father and a Japanese mother. He moved to Japan in 1939 to learn Western painting at Nihon Art School. After Independence in 1945, he returned to Korea and held several solo exhibitions. His early works were mainly in the manner of Western academic paintings while his works from the 1950s alternated between painting and working in relief. From 1961 to 1965, he stayed in Paris and focused on abstract art in earnest. He was commissioned to remodel an old sixteenth-century castle 80 kilometers from Paris. He practiced a variety of media, including plastering, stone work, wooden work, and decoration. His remodelling of this castle triggered his interest in sculpture as he constructed the scaffolds for the work on his own. He worked as a professor at The Paris École Des Beaux-Arts in 1963 and taught art at the Fine Art College, Hongik University after his return to Korea in 1965, and held solo exhibitions. From 1967 to 1979, he again moved to Paris to concentrate on sculpture. He later settled in Masan, South Korea and established an art gallery and sculpture park. He created Olympic Harmony, a 25-meter stainless steel totem-like work in the Seoul Olympic park in 1988. Also representative of Moon’s work is his Ant series, and his Totem both of which reflect his interest in symmetry, balance and harmony. His work has often been considered as an attempt to reflect the “vitality” of the world, based on his unique blend of macroscopic expression based on microscopic observation. Moon’s oeuvre offers a powerful contrast to the popular tradition of lyrical abstraction within Korean modernist sculpture.
* Source: Multilingual Glossary of Korean Art. Korea Arts Management Service

Related

Timelines