Second National Art Exhibition (Gukjeon) Brochure, 1953, MMCA Art Research Center Collection
National Art Exhibition
* Source: Multilingual Glossary of Korean Art. Korea Arts Management Service
Related
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Grand Craft Exhibition of Korea
The Grand Craft Exhibition of Korea is a competition organized by the Korean Fine Arts Association [Mihyeop] and invites entries for crafts in each category. With the abolition of the government-sponsored National Art Exhibition (Gukjeon) in 1949 right after the establishment of the government of the Republic of Korea, its crafts section was temporarily included in the Grand Art Exhibition of Korea hosted by the Korean Fine Arts Association from 1982 but began to be operated separately from 1986. The first competition was held in 1986 and organized by the MMCA. From the second edition (1987) through the thirteenth edition (1998), it was operated by the Korean Fine Arts Association. With the eighteenth edition in 1999, the crafts section was officially included in the Grand Art Exhibition of Korea. At the time, the Operating Committee for the Grand Craft Exhibition of Korea was established, and the Korea Culture and Arts Foundation began sponsoring the competition. The fields of the competition were divided into metal, ceramics, wood-lacquering, dyeing, and others, and centered on established artists. The Grand Craft Exhibition of Korea is responsible for evaluating the workmanship and artistry of professional artists in each craft field.
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Grand Art Exhibition of Korea
The Grand Art Exhibition of Korea [Daehanminguk misul Daejeon] is an arts contest hosted by the Korean Fine Arts Association. National Art Exhibition (Gukjeon), which had been held from 1949 through 1981, was transferred to the private sector and renamed the “Grand Art Exhibition of Korea.” During its transitional period from 1982 through 1985, the Grand Art Exhibition of Korea was run by the Korea Culture and Arts Foundation, a semi-governmental organization. Starting in 1986, the Korean Fine Arts Association hosted the exhibition with support for the operating budget from Arts Council Korea. It had been held with five sections: Korean painting, Western painting, sculpture, crafts, and calligraphy (including the Four Gentlemen). In 1986, its crafts section was separated from the Grand Art Exhibition of Korea and established as the Grand Craft Exhibition of Korea, and in 1989 the calligraphy section was separately installed as the Grand Calligraphy Exhibition of Korea. At the same time, a printmaking section was newly established in the Grand Art Exhibition of Korea. From 1993 onward, due to the increase in entries and lack of exhibition space, the Grand Art Exhibition of Korea was divided into two parts: a spring exhibition on non-figurative art and a fall exhibition on figurative art. It played an instrumental role in establishing the terms “Eastern painting” as “hangukhwa (Korean painting)” and “Western painting” as “yanghwa (Western style painting).”
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National Museum of Modern and Contemporary Art, Korea (MMCA)
A national museum established in 1969 that researches, collects, and exhibits modern and contemporary art. As of 2018, there are branches in Gwacheon, Deoksugung, Seoul, and Cheongju. When first established, the National Museum of Modern Art (now MMCA) was located within Gyeongbokgung palace. In 1973, the museum moved to the East Wing of the Deoksugung Seokjojeon building. Then, in 1986, the museum moved to its current location in Gwacheon, to occupy a new building equipped with an outdoor sculpture exhibition space, and has since opened a new chapter in Korean art. The perceived need for a space to focus specifically on Korean contemporary art led to the establishment of further site, the National Museum of Contemporary Art, Deoksugung in 1998. In November 2013, a further demand for contemporary art exhibitions led to the establishment of another Seoul branch being created in the Defense Security Command building in Sogyeok-dong, Jongno-gu, which has since its inception engaged in multifaceted exhibitions of both domestic and overseas contemporary art. Also, as a further component of the MMCA complex, a disused tobacco factory in Cheongju was remodeled to provide a home to the National Art Storage Center.
Timelines
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