SPACE (Gonggan)
SPACE was a synthetic art magazine, first published by architect Kim Swoogeun in November 1966. In total 600 volumes were published up to the November issue in 2017. The magazine played a significant role in delivering news about domestic and international artworld news as the first specialized art magazine in Korea. For instance, the inaugural issue published texts by Jin Hong-seop and Park Seobo, and the second issue focused on the 33rd Venice Biennale. In 1960, Kim Swoogeun had founded an architectural design office, titled the Space Architecture Research Institute (now the Space Group). In terms of his other contributions toward encouraging the development of Korean contemporary culture, Kim also opened the Space Gallery in 1972 and a small theatre called the Gonggan Sarang in 1979. Until the 1980s, the magazine covered a diverse field of cultural interests, including architecture, art, and theater, however, it transitioned into a professional architecture magazine after changing the title to from Gonggan (Space) to SPACE from July 1994.
Wolgan Gongye
Wolgan Gongye (Monthly Crafts), founded in March 1988 by the Design House, was a monthly magazine dedicated to crafts. It highlighted the diversification of craft activities, the enhancement of professional quality, the rapid growth of the number of professional craftspeople. The magazine aimed to open a forum for craftspeople and to lead the Korean Crafts Movement. The first issue featured “The Present Status of Korean Crafts and the Role of a Crafts Magazine.” The magazine conveyed information and criticism on domestic and international craft activities to make crafts more accessible in everyday life. In 1991, it was reorganized as Design+Craft in collaboration with Monthly Design. In March 1992, the magazine was renamed Misul Gongye (Art Craft), but folded in February 1995.
Gana Art
Gana Art is a monthly art magazine founded in May 1988 by Lee Hojae, the CEO of Gana Gallery. At the time of its launch, it was published every other month, but was later changed to a quarterly magazine, and it was last published in the fall of 2000 (Vol. no. 70). The magazine introduced diverse topics from Minjung Art to social participation in art, and this trend continued until the mid-1990s. Overall the publication focused more on introducing art from the ‘Third World’ and the socialist world than mainstream Western art. By the end of the 1990s, it had presented special issues about Korean art history and the introduction of Korean masterpieces and art theorists. It is considered as the monthly magazine that had the widest influence and established a systematic media culture among magazines published by art gallery managers in South Korea during the period of its publication.